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The Epiphone Blues King Studio brings classic parlor-style acoustic tone into an accessible, player-friendly package. Inspired by the early Gibson acoustic designs that shaped blues and folk music, it offers a warm, focused voice and a compact feel that makes it comfortable for long playing sessions at home, on stage or in the studio.
This model is part of the new Epiphone Studio Acoustic Collection, a series created to capture the character and heritage of Gibson’s most loved acoustic models while keeping them within reach for a wider range of players.
The Epiphone Blues King Studio features a small parlor size body crafted from layered mahogany back and sides, and a solid spruce top. Don’t be fooled by it’s small size, this guitar has a surprisingly loud voice with a really unique sound. Its bluesy tone is ideal for fingerstyle, blues, folk, americana, or other traditional styles of acoustic music.
The mahogany neck is attached to the body with a glued in tapered dovetail neck-to-body joint and features a comfortable rounded c neck shape. If you’re a fan of the Gibson L-00 or other parlor style guitars then you’ll feel right at home with this neck. It also features a rosewood fingerboard which features 19 standard frets, a 24.75” scale length, 43mm nut width, and traditional pearloid dot inlays.
A Fishman S Core under saddle pickup and Fishman Presys VT preamp make this guitar ready to perform in any setting. The soundhole volume and tone controls allow fast and subtle adjustments while you play, so it works just as well on stage as it does at home or in the studio.
The Blues King Studio also includes thoughtful vintage inspired touches that help capture the charm of early acoustic designs. It features an L00 shaped dark tortoiseshell pickguard, classic three on a plate tuners with ivory style buttons, and a sixties Kalamazoo style headstock finished with a gold Epiphone logo. These details round out the guitar’s throwback character and give it a timeless look that feels right at home in any blues or folk setting.


